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| Title | Abstract | Action(s) |
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| ذرائع ابلاغ اور اردو زبان:گلگت بلتستان کے منتخب اردو اخبارات کا لسانی مطالعہ(بحوالہ"کےٹو"،"بادِشمال"،"محاسب") | The newspapers are the important part of our life. Newspapers are the mirrors of our society. They serve as a mouth piece of the public. Thus, the number of newspapers in Pakistan is increasing every day. The owners of the newspapers, in the process of getting ahead of each other, bring down journalism below its standards and at the same time do not pay attention to imla mistakes and borrowing English words in Urdu language. They are mixing the language. And they have no idea how much injustice it is with Urdu language and Urdu language is waiting for better measures to be taken regarding imla. If this problem is not solved as soon as possible. This problem will become a very serious situation in the coming times. And imla errors will increase with time. It is also necessary that People should be made aware of what problems Urdu language is facing and how the mis use of Urdu can be controlled. So that the Urdu language gets its rightful place and rank in the coming period. The thesis is devided into three chapters, in the first chapter introduction of topic is given along with short overview of journalism in Pakistan after independence. Apart from that short overview of journalism at gilgit baltistan, and an analytical study of selected three Urdu newspapers (k.2, bad-e-shimal, muhasib) of gilgit baltistan. In the second chapter analized newspapers dictation in the light of allocated principle of dictation by " Muqtadar Qomi Zuban" and "Anjuman Tarqi board”. In the third chapter mention reasons for dictation mistakes in newspaper writing and what are its remedy. |
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| شعری اسلوب کا بدیعی جائزہ:معاصر اردو نعت کا تلمیحاتی مطالعہ | M Phil Urdu research thesis is "Insinuative Study of Contemporary Urdu Naat". In order to accomplish the research, the contemporary Urdu Naat poets are chosen whose Na’tiya poetry has been published continuously in “Nat Rang” the most significant contemporary journal of Urdu Na’tiya literature platform of Pakistan. The research comprises Introduction to Naat and insinuation and use of insinuations among Na’tiya poetry of selected Naat Poets. Subjective kinds of insinuations are taken in accordance with resources of insinuations, whereas technical kinds of them are categorized according to simile, metaphor and innuendo of tropology. Initial debates about the topic were discussed by Dr. Ata-ur-Rahman Siddique and Dr. Masahib Ali Siddique in their write-ups “Urdu Sha’eri mei’n Islami Talmeehaat” and “Urdu Sha’eri mei’n Talmeehaat” respectively. Technical types of insinuations are categorized by expanding these initial concepts. Qualitative and documentational research methodology is followed to accomplish the thesis work. The Relevant libraries and websites are visited to seek help to meet the purpose and fulfill the requirements of research methodology. This thesis comprises four chapters. First chapter includes topic introduction, basic concepts and debates about the topic, introduction to Naat, Rhetoric (Ilm-e-Bad’i), insinuation and it’s several kinds. Second chapter of the research consists of analysis of subjective kinds of insinuation used in Naat poetry of selected contemporary poets. Third chapter contains the analysis of technical kinds of insinuation used by selected Urdu poets in their Na’tiya poetry. All discussion of the research write-up is briefly summarized in last chapter of thesis with research results and further recommendation. |
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| مقبولِ عام منتخب اردو ناولوں کا فکری و فنی مطالعہ(نمائندہ خواتین ناول نگاروں کے حوالے سے) | Intellectual and artistic study of popular selected Urdu novels (With reference to representative female novelists) Popular literature or famous literature is actually a translation of the English term popular fiction. The term is specific to literature that is popular with the general reader. Popular literature is unique in that it has a few features. The most important feature is its light style. It does not use heavy words. The tradition of popular literature can be linked to the tradition of Urdu fiction. Short stories, novels, dramas and numerous literary genres began to become part of the popular literary tradition. Historical novels, especially popular literature, appear mostly in the genre of novels. There are many women novelists before and after the establishment of Pakistan who created popular fiction. Popular literature can be called romantic literature because if viewed from a thematic point of view, this story is based on romantic themes. The subject of my thesis is a reference to popularly selected female novelists. In which her novels have been technically and intellectually reviewed. There is no research and critical work on popular general literature. Popular general literature is known as superficial, marketable and inferior literature. Significance has increased. That is why people from all world love this literature. In this thesis , it is clear that popular literature is in no way inferior to the standard of high literature, not only in Urdu. In fact, the various forms of popular fiction in every major language of the world have been examined and it has also been seen how wide the literature is in terms of themes and techniques that appeal to a particular class of readers in its characters and art. Draws attention to The study under review proves that popular literature in Urdu is not a matter of a few days but has its own history and its own unique place in Urdu language. |
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| اطلاعیات اور اردو زبان:اردو کمپوز کاری کے فنی مباحث،مسائل اور امکانات کا تجزیہ | From the earliest time, writing has been one of the major forms of communication. The earliest samples of human writings have been found in the caves written with sharp objects on stone, leather, barks and leaves of tree. Gradually humans evolved the use of pen and inks as writing instruments. With the passage of time different styles and scripts were developed to cater for language requirements and personal creativity. As the time advanced with the development of modern technology, paper and pen was replaced with machines and manual writing was replaced by digital typesetting. In this thesis we have covered the evolution of Urdu script and its current form. Some of the fonts including Naskh and Nastaleeq fonts used to write Urdu are discussed in detail. We have also discussed the issues of Urdu transcription in case of compound and foreign words etc. In the second part of thesis, we have discussed the progression of various writing medium from prehistoric time of papyrus to the modern composing using computers. A detailed account of Urdu composing beyond calligraphy is also presented focusing on the printing press for Urdu typesetting and typewriters designed for Urdu. Current status in digital Urdu writing has also been presented with emphasis an overview of Soft wares used for Urdu Composing, and the technological support available for this purpose including specialized keyboards and operating systems. Later on, technological advancement and current research being done in this field has also been summarized. In order to comprehensively cover our subject we have referred various books and resources on internet and taken opinion of multiple experts of the field. Hoping our work will be of interest to researchers. We have made several suggestions for the betterment of Urdu composing. |
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| " جمالیاتی تنقید نظریہ و اطلاق: منتخب اردو ادبی رسائل میں فنونِ لطیفہ کی پیش کش" | The M.Phil Urdu research thesis is the study of presentation of fine arts in Urdu literary magazines. Two of the notable magazines of current era (Seep & Adbiyaat) are chosen to discuss and evaluate the presentation of fine arts among them. Various articles in these Urdu literary magazines covers different aspects of fine arts. Purpose of the research is to understand the relationship of literature and fine arts, to practically exert the aesthetic theory and to analyze the aesthetic features of Urdu articles published in specified magazines۔ Magazines & newspapers are influential for survival of language & literature. Urdu literary magazines & journals give new thematic essence and artistic dimensions to Urdu language & literature. One of the distinguished perspectives is the divulgement of fine arts in literary magazines through articles. Fine arts are the way of intimating aesthetic sense. In literature, fine arts consist of poetry, music, painting and sculpture. Society, man and fine arts are interconnected. Artists are the most sensitive people of society. They keenly observe the prospects of society, emotions of people & pains of everyone and unveil their empathy in piece of art. Alteration of ideas, perspectives and emotions gravitates fine arts to find wide new tracks to present public trends. This research paper comprehends various articles presenting fine arts composed in quarterly magazines “Seep” & “Adbiyaat”. Both magazines have allocated a separate section for the write-ups regarding fine arts. The articles published in these magazines fully reflect the necessity and importance of fine arts in contemporary era. This research thesis encompasses the analytical study of the articles, demonstration of aesthetic facets of the write-ups and analysis of contribution of these magazines in prompting fine arts. Qualitative & analytical research methodology is followed to acquire authenticity of collected data. The research paper is advantageous for artists, researchers and critics. The research paper comprises four chapters. First of which consists of Topic Introduction and basic debates regarding literature, fine arts, aesthetic criticism, article writing and literary journals. Second chapter “The role of ‘Seep’ in prompting of fine arts” consists of analytical study of selected write-ups composed on the topic of fine arts. The analysis is divided in various categories, such as history of art, artist and the art itself, according to the subject of articles. Third chapter “The role of ‘Adbiyaat’ in prompting of fine arts” covers the analysis of chosen essays written on various kinds of fine arts. The analytical study embeds different categories of fine arts according to subject-matter of the magazine’s write-ups. All the discussion of the research is briefly summarized in fourth chapter named “Conclusion, Research results & Recommendations”. Research results are derived and composed in this chapter. Besides, recommendations regarding research on fine arts & literary journals are given at the end of the last chapter. |
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| " ادب کا لسانیاتی تجزیہ:معاصر طویل اردو نظم میں معنی کا مطالعہ" | Linguistic Analysis of Literature: Study of Meaning in Contemporary Long Urdu Nazm The research is mainly about the Linguistic analysis of contemporary Urdu Nazm. Contemporary Urdu nazm is known to be difficult to understand and grasp its meanings. A linguistic analysis is a helpful tool to study the meaning of contemporary Urdu nazm. Language of poetry is figurative. Metaphor and simile are the main tools in figurative language. The tools of extracting meaning in poetic language are explained in the book “Sheri Lisaniyat” by Anees Nagi in Urdu. These tools as a theoretical framework is applied on two contemporary long Urdu poems “ikkiswen chaand ki raat” by Saeed Ahmed and “Aleena”by Ali Muhammad Farshi. Comparative study in meanings of two said poems is done at the end. Comparison shows the impact of contextual relations on meaning of same word. |
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| " اردو افسانے میں ثقافتی مکانیت:گندھارا تہذیب کا تجزیاتی مطالعہ" | Title: Cultural spatiality in Urdu Fiction: An analytical study of presentation of Gandhara civilization An Analytical Study of the Presentation of Cultural spatiality of Gandhara Civilization in Urdu Fiction would be the title of this research project. For the thesis, Wah and Taxila fiction writers have been chosen whose works contain cultural characteristics, particularly the subjects of their fiction that are connected to the Gandhara culture. This research project will look at basic cultural discourses, a brief history of the Gandhara civilization, and the use of cultural spatiality in selected fiction writers' works. There will be a review of literary accounts of cultural movements. The fiction written by the selected fiction writers Wah and Taxila will be examined for cultural spatiality. This research will enhance Dr. Farrukh Nadeem's introduction of Cultural Spatiality, which he first established in his book "Fiction, Discourse, and Cultural Spatiality." The qualitative and quantitative research paradigm will be used for this study's purposes. The researcher would also explore a variety of websites and libraries when gathering data. The chapters would be broken down as follows: The history of Gandhara, the introduction and fundamental discussions of culture and cultural architecture, cultural trends in Urdu fiction, and the qualifications of fiction writers from Wah and Taxila will all be examined in the first chapter. The second chapter will evaluate chosen works of literature by diverse authors from Wah and Taxila in the context of the Gandhara civilization. The third chapter will look at the modern cultural features present in the works of the chosen fiction authors and discuss how well-received they are. The overall review, conclusions, and recommendations will be included in Chapter Four. Key Words: Cultural Spatiality, Fiction, Cultural Elements, Cultural Movements. |
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| " میڈیا میں اردو ادب کی عکاسی: تواخذ کی تھیوری کے تناظر میں ناول کی ڈرامائی تشکیل کا تجزیاتی مطالعہ" | PORTRAYAL OF URDU LITERATURE IN MEDIA: AN ANALYTICAL READING OF THE DRAMATIC RENDRING OF NOVEL IN THE PERSPECTIVE OF ADAPTIAION. Abstract: The following research comprises of my M.phil Degree .This research titled Portray of Urdu literature in media:An analytical reading of the dramatic rendering of novel in the perspective of Adaptation theory Consists of 5 chapters that is serially cover (1)Introduction of adaptation theory (2) An overview of the presentation of Theme/ topic of novel Tanvan Tanvan Tara In drama Rahain (3)A Review of the presentation of characters of novel Tanvan Tanvan Tara In drama Rahain (4)A Review of the presentation of events of the novel Tanvan Tanvan Tara in drama Rahain (5)Overview conclusions and recommendations. References are given at the end of each chapter, While bibliography, basic or secondary Origins, website and index are given at the end. The first chapter relates to different means of Communications, introduction of drama, Theory of adaptation by Linda hutcheon At the end of this chapter story of novel Tanvan Tanvan Tara And drama Rahain is also described. The second chapter Covers the differences of the main title/ topic between novel and drama. Similarities and dissimilarities is discussed with the help of different examples which is taken from the novel Tanvan Tanvan Tara As well as drama Rahain. The third chapter is about different characters which are present in both genres of novel or drama. This chapter answers the readers about how characters are adopted In The dramatic script, especially that script who’s story is based on the novel. Similar characters, dissimilar characters and the differences of their role in novel Tanvan Tanvan Tara and also with role they play in drama Rahain is the main part of this chapter. Fourth chapter deals with the events of a novel in a drama. That is about how events transform Page to screen. Firstly events VIII are discussed separately and then similarities and dissimilarities are discovered. Lastly, A review, conclusion and recommendations are also made. |
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| شاعری اور نسائی شعور:منتخب شاعرات کی نثری نظموں کا تحقیقی مطالعہ | Poetry & Feminism: Research Study of Prose Poems of selected Poetesses. . In different societies women were treated badly, they face so many difficulties to get the rights equal to men. A woman didn’t have her own identity; she was recognized as a daughter, wife, mother or sister. Different civilizations use different methods to insult women and make her ashamed of herself. Women had faced brutal behaviors for so long and to raise the voice against all these brutal acts different women organization were introduced, As a result women starts raising voice for their rights. Women rights organization was an organization which fought for the rights of women equal to men and their individual thoughts and decisions. Women education and training got attention and for this purpose special training and education centers were made. Some men also talk about the rights of women and got the title of feminist. The basic aim of these organizations is not to raise differences and hate but only to help the women to have their rights. The movement of Feminism was started from the west. The main aim of this movement was to fight against gender stereotypes and to protect the rights of the women so that the woman could be independent and free to take her decisions, she should not be interrupted or stopped by her father, brother or husband. In the result of this western movement women start getting their rights gradually. Women’s education, jobs, domestic, social and personal issues were discussed due to which on international platformwomen’s right were discussed so that women could be treated equally in the society. Women got to know about their right and they started to raise their voices by the power of the pen. In the west Virginia woolf and Simone de Beauvoir wrote about the problems of women. The journels like “Taleem-e-Naswaan” and “Tehzeeb-e-Naswaan” played an important role to wake the consciousnessin women about their rights. In novels and fictional stories writers also wrote about the problems of women and how they faced Coercion and exploitation. Asmat Chugtai, Hajra Masroor, Qurat-ul-ain Haider and Bano Qudsia wrote about the social and individual issues of women. x In poetesses Ada Jafri, Fehmeeda Riaz, Kishwar Naheed and Parveen Shakir have the glimpse of feminism in their poetry, there is touch of eastern cultural and somewhere rebel thoughts of feminism in their poetry. Fehmeeda and Kishwar Naheed openly discussed the issues of women in their poetry. Kiswar Naheed did unforgettable work for feminism; she brought the aspects of a woman’s life like body, self-realization, and baseless interruptions into attention. The poems of Azra Abaas, Najma Mansoor, Sidra Sehr Imran and Aarifa Shahzad depict the problems of domestic women, prostitutes and young girls. These poetesses express the sense of feminism and its conditions in their prose poetry. A woman can truly explain the feelings and emotions of other woman. In their poetry we can see pain of a woman’s unfulfilled desires, the prick of the pieces of their crashed dreams,the issues faced by them in the society, exploitation and their lost identity.Moreover it is also discussed that now women are so sensible they are raising their voices for their rights, the busy routine of woman is also discussed as by getting busy in the house chores she forget her dreams and now she is so much caged by work of home but she wants to fly with her dreams because her unfulfilled dreams gives her so much pain so that’s why she is struggling to fulfill her dream. We can also see the struggle for freedom in the poems of all these poetesses. When women examine their surroundings then they decide to break the restraints applied on them because they don’t want to be in the part of this suffocated environment anymore. She can’t and don’t want to take the responsibility of all moral values all alone and starts the journey of self-realization. Conclusion: My research concludes the following points. 1. By explaining the concept of feminism it is told that how much cruel acts and injustice women had been facing. 2. Pain, suffering, affliction and helplessness of women can be seen clearly in the poems of Azra Abbas, Najma Mansoor, Sidra Sehar Imran and Aarifa Shahzad. 3. In the poems of all poetesses we can see the protesting behavior, somewhere its light and sometimes it gets so strong. 4. There is the voice of feminism in the poetry of these poetesses, they have observed and discussed all the aspects of women’s life beautifully. |
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| نظریہ نو تاریخیت اور اردو ادب :اردو ادب میں نو تاریخیت کے نظری و اطلاقی مباحث کا تحقیقی و تجزیاتی مطالعہ | NEW HISTORICISM THEORY AND URDU LITERATURE: AN ANALYTICAL STUDY OF THEORETICAL AND APPLIED DISCOURSE OF NEW HISTORICISM IN URDU LITERATURE. Abstract: My research treatise is basically about a literary theory named; “New Historicism”. The theory of New Historicism was first given by English Theorist and Critic; “Stephen Jay Green Blatt” between 1980A.D to 1987A.D, with the help of different articles and books. In 1982A.D, he used this term‟s name for the first time. In this sense, a book named; “Renaissance Self-Fashioning: From More to Shakespeare." Which was published in 1980A.D, is very overriding and foremost. Also In 1987A.D, “Stephen Jay Greenblatt” wrote an essay entitled; “Towards a Poetics of Culture” which remains the rudimentary text of new historicism to this day. With the thought, contemplation and texts of “Stephen Jay Greenblatt” and his coadjutor like; “Jonathan Goldberg”, “Stephen Orgel”, “Louis Montross”, “Lisa Jardine” and “Leonard Tennenhouse”, the ideology of New Historicism flourished in America. On the other hand, in “Great Britain” (England) theory of “New Historicism” was thrive by “Raymond Henry Williams” and his cohort members like; “Jonathan Dollimore” ,“Alan Sinfield” ,“Catherine Belsey” and “Francis Barker” ,with a slightly different name which was;“Cultural Materialism”. Such, the theory of New historicism prosper. Thus, critics of Urdu literature influenced by him in the early nineties and began writing about New Historicism. The first articles on New Historicism in Urdu were written by; "Riaz Siddiqui" between 1993A.D to 1995A.D. After Riaz Siddiqui, lot of other critics of Urdu like; “Prof. Atique Ullah, Dr. Gopi Chand Narang, Dr. Nasir Abbas Nayyer, Wahab Ashraf, Altaf Anjum, Shams-ur- Rehman Farooqi, Prof. Ehsaas Baig, Dr. Qazi Abid and Dr. Naseem Abbas Ahmar”, wrote articles on New Historicism. The articles of; “Prof. Atique Ullah, Dr. Gopi Chand Narang, Dr. Nasir Abbas IX Nayyer and Shams-ur- Rehman Farooqi” are so valued. So, if I want to define and elaborate New Historicism in just one line, then I say that; New Historicism is a theory that deals with History, Culture, Literary text and literary criticism. The main concern of new historicism, is with literature, history and culture, who is focused on understanding and explaining the relationship between them, and which opened the layers of history and led the way of reconstructing the past by formulating "Inter textual historical principle of criticism". So I wrote down my research in the context of the concept of New Historicism. And I have divided the thesis into four Chapters. First Chapter; is about introduction of research and basic concepts. In which I discussed the basic concepts of; “History, Philosophy of History, Historicism, and New Historicism”. Second Chapter; is about beginner thinkers of New Historicism, Schools of thoughts of New Historicism and Fundamental concepts of New Historicism. I have discussed and evaluated all these aspects in this chapter. In Third Chapter, Research turned to Urdu literature. In which I analyzed the text of theoretical concepts of New Historicism in Urdu literature. This is based on “Fourteen (14) Articles” and “One (1) Thesis”. The motif of the Fourth and the Last Chapter of this research is like the third. In which I analyzed the text of applied samples of New Historicism in Urdu literature. This is based on “Five (5) Articles” and “Three (3) Thesis”. And after these Four Chapters I wrote an Overview, Research Findings and Recommendations about research. Hence, this research thesis is about New Historicism, covering the entire Theoretical and Applied development of this Theory (New Historicism) from its inception in English literature to its spread in Urdu literature and criticism. |
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| اردو ادب کے معاصر میلانات:کرونائی نثر میں خوف کے عناصر کا تجزیاتی مطالعہ | Title: Contemporary trends in Urdu literature: (Analytical Study of the Elements of Fear in Coronai Prose) This research work has been divided into three chapters. In the first chapter, the introduction of Coronai literature and its basic discussions have been discussed. In its second chapter, Coronai literature and the elements of fear have been presented. Especially, the psychological and social effects of the situation caused by the corona virus have been described in Urdu literature, affecting the individual and the society. In December 2019, an epidemic called Corona virus spread in the city of Wuhan in China and then took the whole world in its grip. Finally, the Pakistani society could not live without being affected by it. The social, political, economic and individual effects of the corona virus have been reviewed in this article. No research work has been done before on Corona virus in Urdu literature especially Urdu prose. The main reason for this is that the corona virus was a completely unique situation for the world. Due to which Urdu writers could not create anything in the beginning. But after some time the writers presented this situation in their writings. In this paper, an analytical study of the elements of fear in Coronai literature, especially Coronai prose, has been presented. |
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| فن تاریخ نویسی :اردو ادب کی منتخب ادبی تواریخ کا تقابلی مطالعہ آغاز سے 1900ء تک | Title: The Art of Historiography: Comparative Study of Selected Urdu Literature Histories The M.Phil Urdu research thesis “Comparative Study of Selected Urdu Literature Histories”. The most known books about Urdu literature’s history are chosen to compare them with history write-up of Jameel Jalibi. The chosen books are Taareekh-i Adab-i Urdu, Urdu Adab ki Taareekh (Ibtida say 1857 tak) by Tabassum Kashmiri, Urdu Adab ki Mukhtassar Taareekh by Anwar Sadeed and Urdu Adab ki Mukhtassar Tareen Taareekh by Saleem Akhtar. The purpose of the research is to analyze the rules of literary historiography, to analyze historiography of Jalibi according to rules of historiography, to determine the authenticity of selected books by comparing them on the basis of writing-style, techniques and referencing and to analyze the research & educational significance of selected historiographies. To accomplish the objectives of research, concepts of Dr. Jameel Jalibi and Shakir Kundan about historiography was kept in eye as frame-work. According to Jalibi, literary historiography based on three basic dimensions that are research, culture and criticism. In Shakir Kundan’s opinion rules of historiography are based on continuity, contemporary conditions, historical appearances, geographical and time differences, traditions of current era, referencing, explanation, writing style, documentations and bibliography, criticism, ages and genres. The research paper is executed according to the mentioned concepts. To compare these books to Jalibi’s rules of historiography comparison concept given by Suzan Basinet in his book Comparative Literature-A critique and Dr. Gayan Chand Jain’s book Urdu Adab ki Taareekhai’n. Qualitative and analytical research methodology is followed to attain the purpose and to acquire authenticity of selected data. Comparative research methodology is followed during collection and writing material. Thesis comprises five chapters. First chapter includes topic introduction, literary historiography and its rules, Jameel Jalibi’s historiography, basic concept of comparison and brief introduction of selected historiographies. Second chapter “Technical Comparison between selected historiographies” contains the detailed comparison of three selected book of Urdu literature’s history with Jalibi’s historiography write-up. Third chapter “Comparison between selected historiographies in writing style” holds the discussion about similarities and differences of selected books to Jalibi’s historiography on the basis of writing-style. Fourth chapter “Referencing Comparison between selected historiographies” discusses the comparative study about references used by the selected books of history. All discussion of research is briefly summarized in last (fifth) chapter of thesis. Research results along with suggestions for further research is given at the end of last chapter. |
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| نو تاریخیت اور ناول: سقوطِ ڈھاکہ کے تناظر میں منتخب ناولوں کا مطالعہ | Topic of my research “new historiscism and urdu novels: The study of selected novels in the perspective of fall of dhaka”. In this thesis there is study of selected novels under the impact of new historicism. Two novels have been choosen by using the theory of new historicism first novel is “ansu jo beh na skey” and second is “chalta musafir” which are included in my research. My research categorized into four chapters. In first part, we have primary ligalities and introduction of authors and further more collectively review of new historicism in urdu novels. In second chapter, the thematic study of selected novels “ansu jo beh na skey” by Nishat Fatima and “chalta musafir” by Iltaf Fatima is included. In these selected novels mentioned above: I did the study of political, social and religious topics. In the third chapter study of characters is included. In this chapter, the characters of selected of novels conwayed in the perspective of politics, socialy and religion. In fourth chapter has the conclusion in which the summary and the theme of the research study has been highlighted. Infact the research highlights the selected novels in the light of new historicism. |
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| نو تاریخیت اور ناول: سقوطِ ڈھاکہ کے تناظر میں منتخب ناولوں کا مطالعہ | Topic of my research “new historiscism and urdu novels: The study of selected novels in the perspective of fall of dhaka”. In this thesis there is study of selected novels under the impact of new historicism. Two novels have been choosen by using the theory of new historicism first novel is “ansu jo beh na skey” and second is “chalta musafir” which are included in my research. My research categorized into four chapters. In first part, we have primary ligalities and introduction of authors and further more collectively review of new historicism in urdu novels. In second chapter, the thematic study of selected novels “ansu jo beh na skey” by Nishat Fatima and “chalta musafir” by Iltaf Fatima is included. In these selected novels mentioned above: I did the study of political, social and religious topics. In the third chapter study of characters is included. In this chapter, the characters of selected of novels conwayed in the perspective of politics, socialy and religion. In fourth chapter has the conclusion in which the summary and the theme of the research study has been highlighted. Infact the research highlights the selected novels in the light of new historicism. |
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