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| ماحول اور ادب:آزاد کشمیر کی اردو شاعری کا ماحولیاتی تنقید کے تناظر میں جائزہ | TITLE: ECO AND LITERATUR: AN ECO-CRITICAL ANALYSIS OF AZAD KASHMIR’S URDU POETRY Eco-criticism is a modern age critical perspective which deals with the study of relation between nature and literature. As this age is facing serious environmental crises and these crises are the result of man’s undue interference in the green world, which includes the destruction of nature, establishment of industries, construction of buildings and roads in wild areas, development of cities and towns etc. Eco-criticism strongly condemns the anthropocentric way of interference. It reconsiders the relation of human with non-human nature by considering this Earth and Bio as center which promotes biocentrism. The alarming situation of environmental crises demands a serious concern at every level. Word literature and criticism is focusing this issue at satisfactory level. Many books are appearing on the scene in a short period including Science, Science fiction, fiction, non-fiction, poetry and criticism. Urdu literature has deep concern and realization of this changing environmental situation and local environmental problems. But Eco-critical study of these kinds of writings is not meeting the need. This research is a step towards the need of hour. It is an ECO-CRITICAL ANALYSIS OF AZAD KASHMIR’S URDU POETRY. Azad Kashmir has a rich history of literature in the continuation of the legacy Azad Kashmir is producing more and more literary people. The poets of Kashmir are introducing a unique style of Nature Writings which fulfils the environmental needs as well as meet the needs of a master piece of Poetics. In this Research the researcher will analyze Azad Kashmir's Urdu poetry through four eco-critical perspectives WILDERNESS, BIOCENTRISM, LITERATURE OF PLACE AND PASTORALISM. This critical analysis will be considered a fruitful contribution of researcher in Urdu Ecocriticism. |
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| ماہنامہ"اردو ڈائجسٹ"،"حکایت"،"سیارہ"": تقابلی مطالعہ(ادب عالیہ،مقبول عام افسانوی ادب،پلپ فکشن کے حوالے سے) | Monthly "Urdu Digest", "Hikayat", "Siyara": Comparative study (with regard to literature, popular fiction, pulp fiction) . The paper under review is about a comparative study of the monthly Urdu Digest, Hakkait, Sayara. This is an important topic in which literature, popular general fiction, and pulp fiction are elaborated because digests are the focus of attention for new writers and digests publish texts according to the mood of the readership in society. An attempt has been made to bring the fictions and novels published in these literary digests to the public in a better way. The researcher has tried to compare the writings included in the current digests by intellectually analyzing them. These digests are also important and have the status of literary digests because the writings included in them are of famous writers of Urdu literature. The researcher read them carefully and expressed concern about them. The stories included in them are influential and the digests have added a little to their quality by including them. These digests are paving the way for new writers. He embellished his digests with the writings of many famous writers related to literature, including Ashfaq Ahmed, Ahmed Nadeem Qasmi, Khadija Mastoor, Intizar Hussain, Hijab Imtiaz Ali Taj, etc. The stories of Razia Butt, Neelam Ahmed Bashir were also given space by these digests, many more names are included besides them. The researcher realizes how hard these literary digests have worked to improve the quality of their digests. An analytical study has also been done in this paper after intellectual review. The researcher also made a comparison after making intellectual and technical evaluation and tried to check which digests have better maintained their quality with the aim of inculcating literary taste in the reader through their writings. The researcher has also studied and compared other different genres included in these digests, including poetry, unforgettable events, Jag Beti, Aap Beti, interviews. The researcher has tried to find similarities and differences between these digests by doing a comparative analysis of the texts included in them. After studying all these writings, their process in obtaining these digests helped the researcher to highlight the importance of digests. Digests and literary magazines represent the people of the society, just as literary works lead to change in the thinking of the readers, so the digest is undoubtedly the best effort. The researcher has tried to bring out many new aspects on this subject . |
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| ادب اور فنونِ لطیفہ: اردو ادب کے فروغ میں مصوری کے کردار کا مطالعہ | Creativity is a necessary part of human nature, with time man has mastered many arts. Among the fine arts, poetry, and painting are two such arts that have been a part of human life since human society and conscious adulthood, in the past and present, there have been some artists who have adapted the ideas of poetry in painting in such a way that the meaning of the poem has been greatly increased and the understanding of the poem has been greatly helped besides they created timeless works of art by mixing poetry and color. In the article under review, detailed factual research has been done about such artists. This research work will surely broaden the scope of Urdu literature. This research work is divided into five parts. In the first part, the introduction of the subject and the basic discussions have been given a detailed light on the development of fine arts. In the second part, a technical and intellectual review of the artworks made by Abdul Rahman Chagatai on Kalam Ghalib and Iqbal is presented. In the third part, an artistic and intellectual review of Syed Sadequain Ahmad Naqvi's works on Kalam Ghalib, Iqbal, and Faiz was presented. In the fourth part, a technical and intellectual review of Aslam Kamal's works on Kalam Iqbal and Faiz was presented. In the fifth part, an artistic and intellectual review of the works of Wasi Haider, Makhdoom Sadiq Khan, and AS Rand has been presented on Kalam Ghalib, Iqbal, Faiz, Faraz, and Akhtar Reza Salimi. The final part of this research work carries the conclusion of the |
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| جادوئی حقیقت نگاری کے مباحث و اطلاق: اردو ناول کا تکنیکی مطالعہ | The term "Magical realism" translated as “Jadowi Haqiqat” in Urdu is a modern technique in novel.Hwan Rulfo, for the first time, used it in his novels. Gabriel Garcia Marquez’s novel, “One Hundred Years of Solitude”, is the first demonstration of thistechnique.In Urdu literature, many a writer such as Qurahtul-Ainn-Haider, Dr. Muhammad Ahsen Farooqi, Shamasur Rehman Farooqi, Mustanser Hussain Tarrar , Dr.Waheed Ahmad, Akhtar Raza Saleemi and Syed Kashif Raza has made effective use of this technique in their fictional works. As socio-political scenery since the inception of Pakistan has undergone drastic change, so has the case with writing techniques used for their representation.New methods, approaches and techniques have become effective tools of narratology in world literature. The Latin novelist Gabriel Garcia Marquez by using the technique of "Magical Realism" in his novel“One Hundred Years of Solitude” in 1967, revolutionized the style of narration all over the world, and Urdu Literature is no exception especially in the first half of twentieth century characterized by the use of various descriptive techniques like letters, diaries, flash backs, flash forwards,surrealism and realism etc.Magical Realism is one of such powerful techniques. The first chapter intends to clarify the origin, upbringing, definitions and background of Magical Realism. It also deals with the analysis of and motives of the technique.The impressions and effects of magical realism upon Urdu Novels have also been critically discussed. In second chapter, supernatural machinery and exaggerative elements have been discussed with reference to the novels, "Aagkadarya", " Chandani beghum " and "Sangum".. The third chapter presents comparative analysis of novels“Bahao" and "Muntaq ul taeer,Jadeed by Mustansir HussainTarar and the novel"zino" by Dr.Waheed Ahmad regarding the use Magical Realism technique. The Forth chapter deals with the comparative analysis from the view point of the use of Magical Realism in the novels, "Qabaz-e-Zaman" by Shamasur Rehman Farooqi,and"Jagay hein khawab mein" by Akhtar Raza Salemi along with " Chaar Darwesh and Ek khachwa" by Syed Kashif Raza. The fifth and final chapter ends the work with manifestation of outcomes, references and citations of resources. |
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| جادوئی حقیقت نگاری کے مباحث و اطلاق: اردو ناول کا تکنیکی مطالعہ | The term "Magical realism" translated as “Jadowi Haqiqat” in Urdu is a modern technique in novel.Hwan Rulfo, for the first time, used it in his novels. Gabriel Garcia Marquez’s novel, “One Hundred Years of Solitude”, is the first demonstration of thistechnique.In Urdu literature, many a writer such as Qurahtul-Ainn-Haider, Dr. Muhammad Ahsen Farooqi, Shamasur Rehman Farooqi, Mustanser Hussain Tarrar , Dr.Waheed Ahmad, Akhtar Raza Saleemi and Syed Kashif Raza has made effective use of this technique in their fictional works. As socio-political scenery since the inception of Pakistan has undergone drastic change, so has the case with writing techniques used for their representation.New methods, approaches and techniques have become effective tools of narratology in world literature. The Latin novelist Gabriel Garcia Marquez by using the technique of "Magical Realism" in his novel“One Hundred Years of Solitude” in 1967, revolutionized the style of narration all over the world, and Urdu Literature is no exception especially in the first half of twentieth century characterized by the use of various descriptive techniques like letters, diaries, flash backs, flash forwards,surrealism and realism etc.Magical Realism is one of such powerful techniques. The first chapter intends to clarify the origin, upbringing, definitions and background of Magical Realism. It also deals with the analysis of and motives of the technique.The impressions and effects of magical realism upon Urdu Novels have also been critically discussed. In second chapter, supernatural machinery and exaggerative elements have been discussed with reference to the novels, "Aagkadarya", " Chandani beghum " and "Sangum".. The third chapter presents comparative analysis of novels“Bahao" and "Muntaq ul taeer,Jadeed by Mustansir HussainTarar and the novel"zino" by Dr.Waheed Ahmad regarding the use Magical Realism technique. The Forth chapter deals with the comparative analysis from the view point of the use of Magical Realism in the novels, "Qabaz-e-Zaman" by Shamasur Rehman Farooqi,and"Jagay hein khawab mein" by Akhtar Raza Salemi along with " Chaar Darwesh and Ek khachwa" by Syed Kashif Raza. The fifth and final chapter ends the work with manifestation of outcomes, references and citations of resources. |
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